The Venetian Magistrate of the Arcana 威尼斯秘術官 ヴェネツィアの秘儀判事

This striking costume portrays a dignified Venetian magistrate-scholar from the late Renaissance, a guardian of law, knowledge, and hidden wisdom. The figure is dressed in a rich crimson judicial robe trimmed with deep black fur, symbolizing authority, prestige, and the solemn responsibility of office in the Republic of Venice. Gold accents along the sleeve evoke the ceremonial elegance reserved for high-ranking officials or learned members of the Venetian councils.

The black cap and round spectacles give the character the air of a seasoned jurist or philosopher—one who has spent a lifetime studying law, theology, and the mysteries of the world. White lace cuffs and gloves add refinement, reflecting the formal courtly traditions of the period.

Cradled in his hands is an ancient book containing a vividly colored tarot card, hinting that this magistrate is not merely a man of law, but also a keeper of esoteric knowledge. He stands as a bridge between the rational order of the state and the mystical traditions that quietly flourished within Renaissance Venice.

The overall impression is one of gravitas, wisdom, and intrigue—a learned authority who presides over both the visible laws of society and the hidden symbols of fate.

The Procurators of Saint Mark (Procuradori de San Marco) were lifelong senior magistrates in the Republic of Venice, ranking second only to the Doge. They managed St. Mark's Basilica assets, charities, and public finances, often acting as a training ground for future Doges. Divided into colleges, they held immense prestige and held office for life. Many Procurators went on to become Doge, and they lived in the prestigious Procuratie buildings around Saint Mark's Square. They were elected by the Senate from elite Venetian noble families. 

The Venice Carnevale is not all about masks. Many local Italians prefer painted faces and historical costumes.

Pierluigi Lucietto is a veteran costumer at the Venice Carnevale. I did this set of portraits for him and his missus a day after the Venice Carnevale. I commented to Pierluigi what a beautiful costume this was from a picture I have seen of him from previously. Pierluigi very much wanted a photo from me of him wearing this costume and we decided to do it the very next day even though Carnevale has officially ended. In Venice, we have all learnt to cherish what we have and make use of what we have.

As usual, the portraits are done against a dark grey wall and using only natural lighting. A mock movie poster is generated for the costume.