La Buranella 札內塔·法露斯 女優ザネッタ・ファルッシ

Zanetta Farussi (27 August 1707 – 29 November 1776), known as La Buranella ("the woman of Burano"), was an Italian comedic actress. Her eldest son was the famous adventurer Giacomo Casanova.

Born Maria Giovanna Farussi, her father, Girolamo, was a shoemaker. In 1724, at the age of seventeen, she married the actor, Gaetano Casanova, ten years her senior, who had just returned to Venice after several years with a touring theatrical troupe to take a position at the Teatro San Samuele. The marriage was strongly opposed by her parents, because they considered acting to be a disreputable activity. Her father Girolamo died shortly after, from grief according to his grandson Giacomo, and her mother, Marcia, was reconciled only when Gaetano promised that he would not allow Zanetta to become an actress.

This promise was soon broken when she began an apprenticeship at Gaetano's theater. While she was there, Giacomo was born and (according to Giacomo's memoirs) Gaetano suspected that Michele Grimani (1697–1775), the theater's proprietor, was actually the father. The following year, they accepted a theatrical engagement in London. It was there they had their second son, Francesco, who became a well-known painter. It was rumored that his father was actually the Prince of Wales (who shortly after became King George II); whether for scurrilous motives or publicity is unclear.

They returned to Venice in 1728 and eventually had four more children; Giovanni, who also became a painter, Faustina Maddalena (1731–1736), Maria Maddalena (1732–1800) and Gaetano Alvise (1734–1783), who became a priest; born two months after his father died of an infected abscess in his ear. The Grimani family, possibly remembering the suspicions surrounding Giacomo's birth, promised to look after Zanetta and her children.

In 1734, she met Carlo Goldoni in Verona and he wrote a short comedy for her, called La Pupilla (The Female Ward); inspired by the jealous infatuation she had aroused in Giuseppe Imer (1700–1758), a famous actor and major theatrical impresario. It was presented as an interlude with his tragicomedy, Belisario. The following year, she accepted an engagement in Saint Petersburg, but it was unsuccessful as few people in Russia knew Italian at that time.

In 1737, she signed a long-term contract with the Electorate of Saxony to appear in Italian comedies. She débuted in Pilnitz in 1738, on the occasion of the proxy wedding of Crown Princess Maria Amalia. In 1748, she visited Warsaw, where she presented two short theatrical pieces she had written herself. In 1756, following the start of the Seven Years' War, the Saxon Court suspended the activities of her Italian comedy troupe. Everyone retired and received an annual pension of 400 Thalers.

During the war, she sought refuge in Prague. As soon as it was safe, she returned to Dresden and remained there for the rest of her life. Later, she was joined by her son Giovanni, who taught at the Academy of Fine Arts, and her daughter, Maria Maddelena, who married the Court Organist, Peter August (1726–1787).

Every Venetian Carnival has a theme, and the 2025 Venice Carnival's Theme is “In the time of Casanova” (“Il Tempo di Casanova” in Italian), to honor the 300th anniversary of Giacomo Casanova's birth.

Giacomo Girolamo Casanova (2 April 1725 – 4 June 1798) was an Italian adventurer who was born in the Republic of Venice and travelled extensively throughout Europe. He is chiefly remembered for his autobiography, written in French and published posthumously as Histoire de ma vie ("The Story of My Life"). That work has come to be regarded as a unique and provocative source of information on the customs and norms of European social life in the 18th century.

Hence, quite a few costumers come to Venice this year with costume themes associated with Casanova or the people surrounding him.

My Italian friend Elisa comes to Venice this year dressed as Zanetta Farusi, theater actress and mother of Giacomo Casanova and her husband comes as the father of Casanova, Gaetano Casanova...

The Venice Carnevale is not solely about masks. Local Italians prefer historical costumes or painted faces. During Carnevale, the whole Venice becomes a real life theatrical stage, and many of these historical costumes carry deep perspectives...

And as usual, the portraits are just done on the busy streets of Venice and using natural lighting only...